
What do you think you’re doing, dancing with a boy in the dark?’ I couldn’t figure out what he meant until I realised he was talking about Punchi, my bowl-cut companion.įrom the moment womanhood appeared, I learned that it came with restrictions. But as we pulled into the driveway he swivelled around and said to me, ‘You’re too much. I want to ask him: How do you know how a woman moves? How do you know it’s okay to move like that? In the dark we flapped our arms around with abandon, did the running man, made the gunshot motion for the line ‘One shot for the rest of the night’ (We didn’t really get the song). Punchi was shy ‘Switch off the lights and I’ll dance!’ Fine, I said. Salt-N-Pepa’s ‘Whatta Man’ was on the radio and we wanted to dance.

Ramila was there, and her sister Punchi, who had recently acquired a bowl-cut hairstyle similar to mine. We were at the age where we self-segregated by gender, like our parents in the living room. The next weekend, I went to a family friend’s house. I maintained my concave posture for a good year to avoid my ‘divider’ committing the same sin. ‘That girl always has her divider out,’ my mother muttered. We were in the car park, on our way in to the Sri Lankan Food Fair when my friend Ramila came over to say hi, her spaghetti-strapped cleavage filling up the lower third of my side of the car window.
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At thirteen, I figured out how to round my back far enough so the boobs emerging from my chest would hang as vertically as possible. How do you know how a woman moves? How do you know it’s okay to move like that? We’re on the set of his latest movie, and he’s prepped for questions about his Spidey powers or what it’s like to be a teen heartthrob.

I’m long out of high school, but I find myself having conversations in my head with – during breakfast, on the bus, as I shave my legs in the shower.
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He has approximately 20 million followers on Instagram – I scroll through his profile like I used to comb through TV Hits for Leonardo DiCaprio. I learn, after hours of re-watching on the internet, that the pleather man is Tom Holland, the latest on-screen incarnation of Spider-Man. But even as LL Cool J gapes from the sidelines, the pleather man doesn’t perform a phony imitation of girlishness. Rain and star lights explode from the studio heavens as he splashes, jumps, spins and body-rolls in the sexy, sexy water. He walks up to his competitor, a woman dressed as Bruno Mars, and tosses back the side of his black bobbed wig.

He arcs his hips like he has some and turns around, the halter top ending in a low v-cut at the small of his back. I know the drill – this is usually played for laughs – but as I watch, something happens. A slight, white, heterosexual man on Lip Sync Battle in a black pleather top and ruffled shorts strides out to the opening beats of Rihanna’s ‘Umbrella’.
